“In so many ways and to so many people, Hughes was 'the Negro,' or at least 'Negro literature,' its public face, its spoken voice and cocktail-party embodiment as well as the source of its printed texts.”
Originally published June 13, 1989
The coming age of the post-nationalist black aesthetic.
Originally published December 9, 1986
“For contemporary Afro-American professionals and intellectuals, the Harlem of legend is at best a Utopian cultural myth.”
Originally published December 7, 1982