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    • From The Archives
      Last Refuge of a Rock Critic: A Bicentennial Search for Patriotism
      By Greil Marcus
    • NEWS & POLITICS ARCHIVES
      Rudy’s Ties to a Terror Sheikh
      By Wayne Barrett
    • PRIDE 2021
      Is Stonewall Inn’s Anheuser-Busch ‘Pour Out’ a Moment or a New Movement?
      By Frank Pizzoli
  • Path 2

    • From The Archives
      Last Refuge of a Rock Critic: A Bicentennial Search for Patriotism
      By Greil Marcus
    • ART 2021
      Beware Strategizing Painters Bearing Gifts
      By R.C. Baker
    • NEWS & POLITICS ARCHIVES
      Rudy’s Ties to a Terror Sheikh
      By Wayne Barrett
  • Path 2

    • Culture 2021
      Paul Fusco’s RFK Funeral Train is a Portrait of America
      By Shana Nys Dambrot
    • From The Archives
      Last Refuge of a Rock Critic: A Bicentennial Search for Patriotism
      By Greil Marcus
    • ENTERTAINMENT 2021
      How Makeup, Murder and Dark History Turned Bailey Sarian into a Social Media Superstar
      By Lina Lecaro
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    Path 2

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  • From The Archives
    With Anne Beatts, The Joke Was Always on President Ford
    Pioneering comedy writer Anne Beatts's take on a president who was funny without trying
    by The Village Voice Archives
    April 22, 2021
  • News 2021
    G. Gordon Liddy and the Fall Guys of Yore
    A leviathan of corruption too big for a single fall guy
    by R.C. Baker
    Originally published April 18, 2019
  • EQUALITY ARCHIVES
    When an Abortionist Dies
    “The public image of an abortionist was of an evil, leering, drunken, perverted butcher at worst, and a cold, mysterious, money-hungry Park Avenue price-gouger at best. And then there was Dr. Spencer with his clinic on the main street of a small American town, who believed in abortions, and who was kind”
    by Susan Brownmiller
    Originally published January 30, 1969
  • From The Archives
    BLACK LIKE WHO? Arguing With the Homeboys
    “Given that black folks make art and mar­ket it within white supremacist capitalist patriarchy, none of us can ignore the reality that any black person who wants to create a product with mass crossover appeal must do some serious soul-searching”
    by bell hooks
    Originally published September 17, 1991
  • From The Archives
    BLACK LIKE WHO? Beyond Assimilation
    “I am sure of this: the resistance blacks and nonwhite Latinos have experienced to their upward mobility is called racism and thus far Afrocentrism and multiculturalism seem an inadequate response to it.”
    by Michele Wallace
    Originally published September 17, 1991
  • From The Archives
    BLACK LIKE WHO? Love and the Enemy
    “If there’s any legacy of ’60s Black Nationalism I find ennobling and empowering, it’s that movement’s Pan­-Afrikanist embrace of Black folk every­where as brother and sister.”
    by Greg Tate
    Originally published September 17, 1991
  • From The Archives
    BLACK LIKE WHO? What Price Unity?
    “Unity cannot be an end in itself. The emphasis on it in the past two decades has been a sign of the intellectual and moral chaos in which black America finds itself. Only the weak insist on being agreed with.”
    by Julius Lester
    Originally published September 17, 1991
  • From The Archives
    BLACK LIKE WHO? Niggers, Negroes, Blacks, Niggaz, and Africans
    While Coltrane and Professor Griff and Marian Anderson and N.W.A and Sojourner Truth and George Schuyler and Angela Davis and Michael Jackson, Bigger Thomas and Clarence Thomas are all African American, they may not all be “black.”
    by Joe Wood
    Originally published September 17, 1991
  • From The Archives
    BLACK LIKE WHO? Ghosts
    “Tamu was shot and killed in a robbery attempt, and yes, I do know about the statistics, but aren’t those who are black and young and beautiful and vibrant and loud and sassy and talented somehow exempt?”
    by Joan Morgan
    Originally published September 17, 1991
  • From The Archives
    BLACK LIKE WHO? On Black Rage
    “To put it crudely, America would not exist without 244 years of black slavery, 85 years of Jim and Jane Crow, and now, one of two black kids caught in a violence-infested life of poverty.”
    by Cornel West
    Originally published September 17, 1991

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