By 1969, painting for painting’s sake was far from revelatory, and there is precious little abstract dynamism or formal innovation to be found in Baselitz’s work

Giuliani's business contracts tie him to the man who let 9/11's mastermind escape the FBI

“We're like — No! If you don't want them to win, don't put them on the ballot.”

While other documentaries about Biggie have chronicled his glory days, what’s refreshing about this one is the way it explores his modest, humble beginnings

"Terror and pity: Ferlinghetti stirs up a pity for his sincere nervousness, or nervous sincerity, in quite confessional work."

Memo to mayoral candidates: Start thinking big about low- and middle-income housing

“Last Wednesday, an enormous mob surged out of control, menaced citizens, pushed through police lines onto city hall steps, and blocked traffic on Broadway and the Brooklyn Bridge. But uniformed cops stood by, smiling — for the maraud­ers were fellow cops, thousands of them”

“The scene now is one of club kids who don't even have a 'fuck the rules' men­tality — they don't know any rules to fuck. They manage to combine a youthful, energetic wholesomeness with a jaded sense of decadence, as typified by their major domo, 22-year-old Michael Alig”

“How did the energetic upstart who single-handedly launched his own youth sub­culture in the '80s turn into the messed­-up sociopath and accused murderer of today? How did the twisted creativity of the original club-kid scene tip over into outright evil?”

Twisted tales of surviving the holiday season from Michael Musto, Ann Powers, Lynn Yaeger, Elizabeth Zimmer and a half dozen other Voice contributors